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What Japanese bands can you notice get recognition in other music scenes or regions?
Axius1
Hello just to briefly explain this topic. Japanese music are in music scenes or communities in which they normal are apart of. The overall doubt is what bands can you witness getting more popularity, recognition, money etc… in other types of music scenes or areas of the world. It can be any music scene, people etc… that is different then the one they normally play in. You can also call a band or particular bands. I posted my example below:
I honestly trust that some bands like: Deviloof, NBL, dexcore etc… can get some recognition in the metalcore/metal scene. Yea maybe the outfits might be bit unlike or unusual at first but some select few bands in the metalcore scene dress up in outfits or costumes already and generally accepted. Overall one or more of these things, people get attracted to bands by weather it be for their: art, music, lyrics or style. The song that these bands produce aren’t very far off from metalcore bands. What other people think?
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zeus2
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Visual Kei is both a music genre and a culture/subculture. This page exists to provide a short precis on the history and progress of Visual Kei as both music genre/subgenre and culture/subculture, to educate on terminology and on diverse concepts present within the culture/subculture, and to assist you understand just a little more about both the artists and the fans.
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The beginning - from Unbuilt Trope to Visual Shock - s until early s
The biggest affect
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Veronika Abbasová, Charles University in Prague, Czech RepublicAbstract
The focus of this paper will be position on the literary investigation of Edogawa Ranpo's mystery novel Kotō no Oni (), with respect to how the discourse of homosexuality of the afternoon manifests itself in the novel. Edogawa has established a reputation as one of the most celebrated Japanese mystery writers, counting among the authors of the ero, guro, nansensu movement. The rise of sexology as a science opened to the universal a previously tabooed topic of non-heteronormative sexualities; this discourse was soon adapted by ero, guro, nansensu popular culture. However, there were still censorial restrictions as to the way of portraying these sexualities, and works that seemed to be too understanding often ended up banned. That might be why Kotō no Oni's hero Minoura painstakingly follows all social conventions and firmly stands for heteronormative standards, refusing everything non-mainstream, even his wife Kyushuan accent (the image of Kyushu as the backwaters of Japan, where such practices like nanshoku surv
The date is March 4th, Thousands of fans from all over the globe are assembled a the SSE Wembley Arena in London, UK. What they all have in common is a passion for Japanese rock, more specifically, for the biggest band to have emerged out of Asia. And they all own been good and thoroughly X’ed. When asked the surprisingly frequent question “What, rock music exists in Japan?,” they can vouch for it. And then some. The band in question is named X Japan, the creators of a multi-layered musical genre which has developed and defeated decade after decade and generation after generation. The genre is called visual kei, and this is a brief overview of how this obscure genre came to be.
Formalities first. Visual kei (ヴィジュアル系) literally translates into “visual style”, and is a musical genre, as well as a form of fashion, deriving from the musical influence. In visual kei music, the visual is as important as the sound. What you see on stage is tied closely to what you hear.
Generally, the term is associated with androgynous looks, larger than life hair in all colors of the rainbow, ecc